Overdrive Booster Pedals

SIMPLY MANIAC is an overdrive pedal designed for “classic hard distortion” ideal for rock asolo. The great dynamics of the signal is generated by a dual power circuit that providing excellent benefits to the touch offering an amazing sound definition. Inspired by the “brown sound” SIMPLY MANIAC rang..

WEMBLEY is an overdrive pedal designed for “brown sound old style tone”. Ideal for use as both a signal boost and an overdrive. The characteristic that distinguishes it is the faithful saturation typical of the most famous doumble or British amplifiers combined with an impact signal dynamics.Inspire..

BRUTO MKI is a pedal preamplifier which integrates many analog devices connected together. In compact dimensions BRUTO MKI included: two or three channels with independent tone stack, solo (can be activated on all functions), four buffers (input, output, send, return, spa sim out), one speaker cab s..

SPECIALE DD1959 is an evolution of “Double Decker” project which is inspired by the legendary British tone of 1959. Two channels offer edge to super lead sounds (from blues to hard rock). It can be used with an amp or as a DAW where thanks to the new update a clean channel has now been added. In thi..

Passionately designed by the master engineers at BOSS in Japan, the Waza Craft SD-1W Super Overdrive delivers a premium stomp experience that fans of customized pedal tone will love. Crafted with an ear for highly refined sound, the SD-1W hot rods the famous BOSS overdrive with all-discrete analog c..

FLWR is an overdrive, distortion and sometimes fuzz! It starts very clean and gets up into Fuzz territory at max settings. It's designed to help you find your own breakup point, so your playing can stay dynamic and full range and still breakup nicely when pushed. The SHAPE controls manage the first ..

Inspired by Roger Grant's idea to mimic loss of fm radio signal through the use of a simplified fm modulator/demodulator scheme. As a young child, I would hide under the table when Roger came around. Later, when I first started in electronics, he gave me a bunch of parts, tools and bench equipment. ..

Maximum tone for the minimalist. Since rock music began, people have been cranking the volume controls on their amps in order to push them into distortion, an effect now known as "overdrive." The CB Overdrive gives you some refined yet gritty cranked-amp tones without the hearing loss.All the w..

Captures the regal and soaring tones of a Rangemaster Treble-Booster into a cranked up Vox AC30"Queen in a box" Brian May’s sonic signature not only comes from his home built “Red Special” guitar, but also from a treble-booster pummeling banks of AC30s. He never turns the treble booster off, ac..

Limited to 2,000 units worldwide. The White Light is a hard clipping, vintage-voiced overdrive that takes its cues from the vintage dirt pedals that defined the sounds of heavy rock. Think OD250 or Distortion+ without being overly derivative, a new voice to an olde sound if you will. The White Light..

OverviewIt’s still not your typical boost. Where the Eros was designed for playing drop-tuned extended range guitar into the muddiest of amps, the Hera is completely different. It’s designed to push any amp with more typical standard tunings. It’s much more transparent and the low-end is full, yet c..

The Catalinbread 5F6 is our take on the classic tweed Bassman-style amplifier from the late 1950s.Utilizing 2-6L6 output tubes into 4-10" speakers, the Bassman quickly became the mainstay of stages everywhere during that era.The Formula 5F6 adds vintage tweed Bassman response to our range of Foundat..