DescriptionYour USB device is plugged into the USB MIDI Host mkIII instead of into a computer. It provides MIDI In & Out sockets for USB MIDI keyboards and controllers which have only a USB B type socket. For example, used with a USB-Solo, it allows the USB-Solo to be used in a standard MIDI set..
Power is supplied by the power supply in the modular case via the backplane Power consumption +12V supply 85mA max / −12V supply 3mA +5v supply is not required (needs +/−12V only) CV & Gate signals can be sent via the ribbon cable to the system bus - selected using jumpers MIDI In & Out on D..
The latest in our popular Pro Solo line of converters, the Pro Solo mk3 features a number of improvements over its predecessor; including 3 continuously variable auxiliary outputs, a built-in ADSR envelope generator, the ability to smooth out steppy MIDI CCs and more.The Pro Solo mk3 is th..
Kenton USB-Solo High specification single synth USB MIDI to CV converter (USB lead included – other leads not included)Product DescriptionPower: Power is supplied by the USB host device via the USB cableDimensions: 130 x 97 x 40 mmWeight: 450gMIDI: In & Out (via USB)Analog Outputs: CV on 3.5mm m..
Receives DIN Sync data (sometimes called Sync-24) from a single source (e.g. sequencer or drum machine) and produces identical copies at the 5 DIN Sync Output sockets. These can then be connected to the SYNC IN sockets of other devices which require DIN Sync signals sent to them.Product DescriptionR..
OVERVIEWThe Thru-12 is a MIDI DIN splitter with one input and twelve outputs. – The ideal solution if your sequencer or MIDI interface doesn’t have enough outputs for all your synthesizers, drum computers and effects processors. A solid metal housing guarantees excellent stability. The latencies gen..
Tonal Empowerment“Gazing from afar at the downfall of archaic sonic structures, a hooded being sat calmly on the cornerstone of legacy. For generations, instead of asking what the present actually screamed for, people had been blinded by the achievements of the past. That was before the CHIEF DISRUP..
Classic 70’s Transistor DistortionHigh Gain with long sustain & low noiseRetains note definition, even with chordsSounds like a tighter, more refined Big MuffThe EH Big Muff Pi defined the guitar tones of the 70’s and then re-defined them in the 90’s. Yet for all its legendary pedigree, th..
Reissue of classic Distortion from the 80’sGreat sustain and volume clean-upWide operation range covers mid-gain Overdrive through FuzzVersatile Tone control can provide bright top and tight, punchy lowsScott Henderson’s favorite Distortion!True Bypass SwitchingSince its original release in the earl..
Meris Ottobit Jr. Alt Function OverlayWith the myriad of alternate functions secondary features and hidden secrets on Meris’ pedals, it often is hard to keep all knob functions and their alter egos in mind.Listening to player feedback Meris have now created a series of crystal clear control overlays..
The Meris Ottobit Jr. looks like a stompbox, has controls like a synth and is the child of a 500 Series module that brought the world the concept of “audio in, video game out.” Designed and built in Los Angeles, the Meris Ottobit Jr. is a maniacal little machine inspired by the sounds of v..
Pluto is compact and portable, with abilities that belie its small size. Five channels of modulation (named for the five moons of Pluto), two voices, two sequencers, a mini-keyboard, and onboard effects make Pluto its own complete sound environment, but it can happily play with all your other gear.&..