When we talk about the sound signature of synths, filters are probably one of the first topics appearing. On Atlas, we dive into the sound of the 80s Japanese classics with four gain-cell-based multimode filters that keep the silky and creamy sound of those legendary machines along with some te..
If you have been already into the Eurorack world for a while, I’m sure you have heard the sentence: “you never have enough VCAs” more than once. As an electronic musician, this has always been present. I can’t count how many times I needed an extra VCA with all of them already being used. I wanted t..
Custom Eurorack Patch Cables by Vostok Instruments & Miguel EedlNothing is more representative of a modular synth than patch cables. Over the years, they became a usual image of any Electronic Music studio or stage.After years of using dozens of different cables, we created a set that fits our m..
The world of Envelope generators is a vast field where cultivating a new specie is a challenge that gets harder every day. We have lots of flavors to choose from: from classical ADSR to Serge-based Slope generators, through the newest digitally controlled multi-stage modules.The concept behind Fuji ..
VCOs are probably the most popular modules in the Eurorack world. At its most common form, an oscillator module creates different basic waveforms by shaping its core, which gives us several timbres sharing the same frequency. On Sena, we decided to reorganize those principles. We have the basic wave..
Chord-crafting quantizing wavetable oscillatorThis module allows you to do many things, but in essence, it is just a bunch of oscillators that never go out of tune or out of scale! Apart from playing anything between lush pads and hellish walls of sound, it enables you to easily jam with other music..
Saturating tape delay and feedback sculptorKaseta is a multi-purpose module inspired by reel-to-reel tape machines. It simulates magnetic hysteresis to provide warm saturation, its four independent delay lines can be used to sculpt rhythms or feedback loops, and it offers wow and flutter control. Th..
The ’59 Sound is based on the legendary 1959 Tweed Fender Bassman. The ’59 Sound captures the essence of that magical amplifier.I've never really liked the sound of distorted Fender amps (this is Zack pontificating) except for my earliest amp, a blonde Fender Bassman with a 2X12 cab that just rip ro..
This Vexter Series Box of Rock features UV printed graphics to commemorate our 25th Anniversary. The parts inside Vexters are identical to the hand painted pedals.This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and..
This Box of Rock™ simulates Zachary’s favorite amp turned up all the way, a 1966 Marshall® JTM45. The tone control adjusts brightness and there’s a high-headroom low-noise boost...
Vexter Series pedals are lower priced, featuring silk-screened art. The parts inside Vexters are identical to the hand painted models.This pedal was originally designed for J.Mascis. He requested two Box of Rock™ pedals in one box with two stomp switches. He uses it regularly now, but we did one (or..
This Vexter Series Fat Fuzz Factory features UV printed graphics to commemorate our 25th Anniversary. The parts inside Vexters are identical to the hand painted pedals.A version of the Fuzz Factory. This variation features a three position mini toggle switch. Setting 1 is a standard Fuzz Factory, se..