Buchla Program Manager Card (for Easel Command)The Program Manager Card is the stage and studio’s best friend for the Music Easel!The Program Manager Card is a preset sound control and storage system for the Buchla Easel Command 208C and upcoming Buchla Music Easel. It comes in a compact package, re..
A phaser even for people who don't normally like phasers, Arigato™ delivers incredible modulation, range, and warmth.ARIGATO neither seeks to recapture the sounds of the past, nor to be state of the art. It is a snapshot of a future we were promised as children. It is our way of saying thank you to ..
In the beginning of studio tricks, many recording engineers had to invent their own effects. Double tracking and flanging started as manual manipulations of magnetic tape and the machinery used to process it.One such effect is gated reverb, the combination of digital reverb and noise gate, "invented..
From the years of 1966 to 1968, Mosrite produced two distinct fuzz circuits, one outfitted with silicon transistors, the other with germanium parts. Of the two, the germanium version is by far the most rare, with original designer and Mosrite employee Ed Sanner estimating that around 250 ever made i..
Captures the regal and soaring tones of a Rangemaster Treble-Booster into a cranked up Vox AC30"Queen in a box" Brian May’s sonic signature not only comes from his home built “Red Special” guitar, but also from a treble-booster pummeling banks of AC30s. He never turns the treble booster off, ac..
It's the combination of a Tone Bender MkII fuzz with a Rat distortion to create something that sings like a fuzz but is tight like a distortion, from a really beautiful singing tone, to tight, harmonically-rich crunch, all the way to fuzz mayhem. The Input knob controls the input sensitivity and ada..
After having acquired more flangers than should be allowed by law, we sealed ourselves away in the laboratory to study the nuts and bolts of the effect. What emerged was the STS-88, a love letter to the flanger. Our development sector contains units of all types, from the ubiquitous Boss HF-2 and EH..
1959 TIMEDRIVE is an overdrive pedal designed for “old tone style” distortions. Ideal for use as both a signal boost and an overdrive. The characteristic that distinguishes it is the faithful saturation typical of the most famous British amplifiers combined with an impact signal dynamics. Inspired b..
BRUTO MKI is a pedal preamplifier which integrates many analog devices connected together. In compact dimensions BRUTO MKI included: two or three channels with independent tone stack, solo (can be activated on all functions), four buffers (input, output, send, return, spa sim out), one speaker cab s..
ECHOFET BABY is an echo effect created to revive the characteristics of the sonority of the legendary Echorec Binson. Totally re-engineered to make it more suitable for today’s needs, ECHOFET BABY not only maintains the sound foundations of its predecessor but improves several aspects. It offers a d..
ECHOLTD2° is an echo unit that maintains the same technical characteristics as the old model; slightly increase the size so as to accommodate the two delay time controls, the magic eye, the wet-out and the buttons that select the tone filter. We have put all our attentions into evolving a better and..
FLORENCE 1176 is an optical compressor that is inspired and evolves the “signal way” of the historic compressor 1176. Unlike its predecessor, it uses a latest generation of optocoupler that allows us to offer three different modes of use: compressor, limiter, sustainer.FLORENCE 1176 is a compre..